Triangle at Rhodes: episode overview

***Spoilers as always***

Things I Loved

1.) Location! Perhaps the most noticeable thing about the episode is the wonderful location. It is the first time in the series that we see Poirot vacationing off in exotic places (yet perpetually unable to escape the murderous English). The filming was really done in Rhodes, and there are many amazing shots of famous landmarks. In Christie’s original short story, the only landmark to speak of is the Mount of the Prophet, and adding more touristy eye candy spices up the story.

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L: The castle of Monolithos. R: The temple of Apollo.

2.) Music. Admit it– you’ve always wanted to hear the Poirot theme song on a santouri!

3.)  The wardrobe.  🙂  What marvelous costumes…

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4.) Making it a real mystery with discernible clues. Christie usually does play fair, but “Triangle at Rhodes,” like “The Veiled Lady” and a couple others, really don’t include fair clue-dropping for the reader. In the original short story, Poirot just seems to know instinctively that Marjorie Gold is a baddie because, as he tells us at the very end, he’s known nice, respectable women criminals like her before. In the episode, his suspicion is first aroused by Mrs. Gold’s claim that it was her husband’s idea to come to Rhodes when Poirot knows it wasn’t (but see “Things That Really Confused Me” below), and he becomes sure when he realizes that the Catholic Mr. Gold would have been unlikely to demand a divorce from his wife, again contra her claims. A plot device borrowed, perhaps, from Lord Edgware Dies.

5.) Poirot crossing himself at the chapel at Monolithos. An early display of an important character trait of our favorite detective.

6.) Poirot speaking Italian! Christie’s canon (e.g. Black Coffee) reveals that Poirot is fluent in Italian, and this might be the only episode where we hear him speaking the language. When it is discovered that certain passports are missing, he asks the desk what happened, and is answered, in that language. He also asks at the harbor about the boat departures when he and Miss Lyall are chasing the villains. One wonders why he mightn’t have used those linguistic skills with those obstinate customs officials, to score a few more points.  🙂

7.) These glasses. That is all.

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Things I Didn’t Love

1.) Chase scene? Poirot on a speedboat, zipping out of Rhodes harbor to nab the villains as they try to book it to Turkey. I understand that it makes for an exciting chase scene (with dynamite, no less) but I cannot in a million years imagine this actually happening. The mal de mer!

2.) Hunting down the poison-seller. Considering the fact that Poirot warns Mrs. Gold before the murder takes place, why does he waste time after the murder by personally hunting about for who sold the poison to whom when he knows perfectly well whodunnit already? I know, I know… TV pacing. But really, by the time he gets back to the hotel, the villains have left and they have to go running after them, nearly missing them. Seems a little inefficient for Poirot.

Things That Really Confused Me

1.) Douglas Gold’s grumpiness on arrival. Poirot overhears Gold grumbling as he and his wife enter the hotel; one gets the impression that his wife insisted that they come to Rhodes, and he himself wasn’t keen. Later on the beach, Marjorie Gold mentions that it was actually HIS idea to come. Poirot looks up in surprise at this contradiction. It makes sense for the wife to have insisted that they come, since she and Chantry have a plot they’re hatching, and for her to make a pretense that it was her husband’s idea, not hers, to divert suspicion from herself. Well and good. But why doesn’t Douglas Gold  contradict his wife when she says this, since he knows better? In the original story, Mr. Gold does make a couple of comments about what a long way to come it is and such like, but it’s not portrayed as grumpiness, just conventional commentary. Also, when explaining the solution to Miss Lyall in the episode, Poirot doesn’t mention the above contradiction as one of the things that alerted his suspicions– just the Catholic thing. But he certainly suspected Mrs. Gold before mention of divorce came about.

2.) Miss Pamela Lyall. It didn’t really confuse me, but it’s a curious anomaly in the Poirot TV series and is worth commentary. In the book, Christie’s own Miss Lyall is an enthusiastic young tanner who wears minimal bathing dress and gets Poirot to rub oil on her back! The scriptwriters turn her into a Poirot fangirl who uses Major Barnes’ unwanted advances as a way to attach herself to Poirot, thus providing him with a necessary and ever-present sidekick for crime-solving. Still, this leads to a couple moments of (in my opinion) a curious awkwardness, particularly the scene below, which needs to be filed under “Failed Poirot pick-up lines” for a future blog post.  🙂

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Overall? An enjoyable romp with notably spectacular visuals.  🙂

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Prize giveaway: pocket watch pendants!

Hi all! Inspired by the Etsy seller whose merchandise I previously blogged about here, I decided to make a few “Christie text” pieces of my own. I offer two samples here for a prize giveaway– a 24″ ball chain necklace with a magnetic-opening, glass-faced pocket watch pendant, and a small pocket watch key fob. Both feature text from pages of a real vintage Poirot novel (sorry, book purists). The larger pendant measures about 1 3/4″, by the diameter of the silver circle, and I’m including a few charms that you can keep in or take out as you like– a key, a tiny enameled moustache, and five faceted emerald beads. The text of the key chain pendant is covered with a protective acrylic dome. The winner gets BOTH. Fun!

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To enter this prize giveaway, all you have to do is share one of your favorite Poirot photos, here or on Twitter (in reply to contest tweet). Do this any way you like, even if you can only link to one you find online. It can be from the television series or something else– artwork, an original Christie cover, Albert Finney, whatever you’d like. Next Saturday, I will draw a name at random from the entries. You’ve got one week!

Good luck!  🙂

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Twelve of Christie’s best references to the STACHE.

Several of my personal favorites, anyway.  🙂  In no particular order…

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“If only, Hastings, you would part your hair in the middle instead of at the side! What a difference it would make to the symmetry of your appearance. And your moustache. If you must have a moustache, let it be a real moustache– a thing of beauty such as mine.”

Repressing a shudder at the thought, I took the note firmly from Poirot’s hand and left the room.

-Peril at End House

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“Dear me,” I said, recovering from the shock. “I suppose next time I come home I shall find you wearing false moustaches– or are you doing so now?”

Poirot winced. His moustaches had always been his sensitive point. He was inordinately proud of them. My words touched him on the raw.

“No, no, indeed, mon ami. That day, I pray the good God, is still far off. The false moustache! Quel horreur!”

He tugged at them vigorously to assure me of their genuine character.

“Well, they are very luxuriant still,” I said.

“N’est ce pas? Never, in the whole of London, have I seen a pair of moustaches to equal mine.”

A good job too, I thought privately. But I would not for the world have hurt Poirot’s feelings by saying so.

-The A.B.C. Murders

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“I assure you, I am really a very humble person.”

I laughed.

“You– humble!”

“It is so. Except– I confess it– that I am a little proud of my moustaches. Nowhere in London have I observed anything to compare with them.”

“You are quite safe,” I said dryly, “you won’t.”

-Lord Edgware Dies

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[Mrs Oliver]: “Mrs Ap Jones Smythe, or whatever her name is, did make a codicil to her Will leaving all her money to the au pair girl and two witnesses saw her sign it, and signed it also in the presence of each other. Put that in your moustache and smoke it.”

-Hallowe’en Party

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“Japp!” exclaimed Poirot, disengaging himself from the Countess’s arms.

“It would be better, perhaps, if I went into the other room,” said the Countess.

She slipped through the connecting door. Poirot started towards the door to the hall.

“Guv’nor,” wheezed Mr Higgs anxiously, “better look at yourself in the glass, ’adn’t you?”

Poirot did so and recoiled. Lipstick and mascara ornamented his face in a fantastic medley.

“If that’s Mr Japp from Scotland Yard, ’e’d think the worst– sure to,” said Mr Higgs.

He added, as the bell pealed again, and Poirot strove feverishly to remove crimson grease from the points of his moustache: “Wha do yer want me to do– ’ook it too?”

-The Labours of Hercules, “The Capture of Cerberus”

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“Doubtless she has been informed of my identity,” said Poirot, trying to look modest and failing.

“I think it is the famous moustaches,” I said. “She is carried away by their beauty.”

Poirot caressed them surreptitiously.

“It is true that they are unique,” he admitted. “Oh, my friend, the ‘tooth-brush’ as you call it, that you wear– it is a horror– an atrocity– a wilful stunting of the bounties of nature. Abandon it, my friend, I pray you.”

-Lord Edgware Dies

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“And then, figure to yourself, Hastings, an idea of the most unreasonable seized this Mr. Pearson! Nothing would suit him but that we should go ourselves to this eating house and make investigations. I argued and prayed but he would not listen. He talked of disguising himself– he even suggested that I– I should– I hesitate to say it– should shave off my moustache! Yes, rien que ça! I pointed out to him that that was an idea ridiculous and absurd. One destroys not a thing of beauty wantonly. Besides, shall not a Belgian gentleman with a moustache desire to see life and smoke opium just as readily as one without a moustache?”

-“The Lost Mine”
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While the Lovely Young Thing made a suitable reply, Poirot allowed himself a good study of the hirsute adornment on Mr. Shaitana’s upper lip.

A fine moustache– a very fine moustache– the only moustache in London, perhaps, that could compete with that of M. Hercule Poirot.

“But it is not so luxuriant,” he murmured to himself. “No, decidedly it is inferior in every respect. Tout de meme, it catches the eye.”

-Cards on the Table

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He looked at himself in the glass. Here, then, was a modern Hercules– very distinct from that unpleasant sketch of a naked figure with bulging muscles, brandishing a club. Instead, a small compact figure attired in correct urban wear with a moustache– such a moustache as Hercules never dreamed of cultivating– a moustache magnificent yet sophisticated.

-The Labours of Hercules

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What was even more humiliating was that he had no real ideas, even now, as to what had actually happened. It was ignominious. And tomorrow he must return to London defeated. His ego was seriously deflated– even his moustaches drooped.

-Dead Man’s Folly

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Poirot stroked his own magnificent mustache tenderly. “It is an art,” he murmured, “the growing of the moustache! I have sympathy for all who attempt it.”

It is always difficult with Poirot to know when he is serious and when he is merely amusing himself at one’s expense. I judged it safest to say no more.

-“Double Sin”

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“Poirot,” I said, as he remained rapt in thought. “Hadn’t we better go on? Everyone is staring at us.”

“Eh? Well, perhaps you are right. Though it does not incommode me that people should stare. It does not interfere in the least with my train of thought.”

“People were beginning to laugh,” I murmured.

“That has no importance.”

I did not quite agree. I have a horror of doing anything conspicuous. The only thing that affects Poirot is the possibility of the damp or the heat affecting the set of his famous moustache.

-Lord Edgware Dies

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More anagrams: Poirot novel titles

Bringing back more Agatha Christie wordplay with some fiendish and strangely prophetic anagrams of some of her Poirot titles!

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(Okay, Mr. Suchet certainly wasn’t debarred from anything… but dash it all, it’s funny! Many of the anagrams below seem to actually refer to the plot of the book. See previous name-related anagrams here.)

Death on the Nile:
Oh, heated Linnet
Ah, he toed Linnet

Murder on the Orient Express:
Mr. Poirot’s entered her nexus
Monsieur expends the terror
Oh, Monsieur renders pretext
Render expert shot, monsieur

The Mysterious Affair at Styles:
A feisty Mary shouts flatteries

Dead Man’s Folly: 
Malady enfolds
Fall adds money

The Murder on the Links:
Hint: mother needs lurk

Lord Edgware Dies:
Dreaded wig roles
Sir glowered; dead

The Murder of Roger Ackroyd:
Hark, forgo my terror: deduce!
Doctor faked my huger error

Peril at End House:
Die upon a shelter
Sleuth idea-prone
I need a pro sleuth

Poirot’s Early Cases: 
Ace a story’s spoiler
A solo spy careerist
A sly sir cooperates
Soirees; a scary plot
Ya, plot crises arose

Elephants Can Remember:
Mental pen embraces her

Appointment With Death:
Hated Ma within tent, Pop

Evil Under the Sun:   
Unveiled hunters
Vulture heeds inn
Unnerved, I sleuth

Hickory Dickory Dock:
Coy chick or dorky kid?

Five Little Pigs:  
Gives title flip [what these anagrams are literally doing…]

The Big Four:
Tough fibre
Tribe of Ugh [hehehehe]

Hallowe’en Party:
Lethal weaponry
Aha– well entropy [read the book, it’s true]

The A.B.C. Murders: 
Butcher’s dream
Bad schemer rut
Debar Mr. Suchet
Bad here, Mr. Cust

Death in the Clouds:
Loaded hint, Suchet!
Oh, Suchet landed it
Suchet had not lied
Not a chided sleuth
A coded sleuth hint
Sleuth hidden coat

After the Funeral:  
Uh, fatal referent
Affluent art here
Her artful tea fen

Cards on the Table:
Broached talents
Blatant docs here

[Aside: There are, additionally, a huge number of humorous and insane, if not always appropriate, anagrams for this title. That might have to be its own blog post someday, but I think my favorite is “Clone the bastard.”]

Three Act Tragedy:  
Regret yacht date
Cheated– great try

Curtain: Poirot’s Last Case:
A tactician’s poor results