The 10 most “Poirot” fabrics you’ve EVER seen

I’m a multi-crafter. As quilting is one of my many hobbies, I enjoy hunting for fabrics in unusual themes and motifs that are of interest to me. Poirot has been no exception.

If making Poirot-themed throw quilts is too strange for you (and why should it be? I’m on my fourth or fifth one), perhaps you’ve been thinking of sewing up a tote bag or laptop cover. Why not make one that reminds you of your Agatha Christie interests?  🙂

My criteria for selecting the following fabrics for this post was that each one must represent at least two things that point to Poirot. All fabrics are 100% cotton. I can’t promise that you can necessarily track them all down, but I’ll provide information to help you with your own searching. One or two of these fabrics are somewhat dubious copyright-wise, and one or two aren’t for sale at all. But I hope all will inspire you as fabric-loving Poirot fans.  😉

1.) “Ladies and Gentlemen” fabric by David Textiles

For generic fabric, it hardly gets more Poirot-esque than this black-and-cream fabric. The texts say: “A gentleman is always well-groomed” (moustache), “A gentlman is always well-dressed” (hat and wing collar), “A gentleman is always well-prepared” (umbrella), and “A gentleman is always well-mannered” (hand writing courteous notes). I think you’ll agree that this is Poirot all over! I used this fabric, cut into strips, for my A.B.C. Murders quilt top.

2.) “Longfellow” by Windham Fabrics

I stumbled upon this particular print from the “Longfellow” line while searching for fabric with magnifying glasses (not easy). This one, representing some gentleman-scholar’s desk, features several things suggestive of Poirot: the glass, the pocket watch, old books, maps, and correspondence. The “Longfellow” line also has two other coordinating fabric prints with only pocket watches all over.

3) “Poirot Words” by Kelly Klages (Spoonflower)

I created this fabric– also in black on white– via Spoonflower for personal use (a.k.a., not for sale, sorry). At first glance they are just random French words and expressions, but careful Christie readers know that they are all very Poirot-esque utterances. I used a font reminiscent of that used in the television series. This fabric gets used in just about all of my Poirot projects.  🙂

4.) Moustache batik

I have no information on this multi-color batik fabric, but I was genuinely astonished at how POIROT it was. Many such moustache prints will throw in a motif or two that is not suggestive of our favourite Belgian, such as a pipe or hipster glasses. But this fabric stays so Poirot that you wonder if they didn’t actually have him in mind when designing it.

5.) “Murder on the Orient Express” fabric, by scrummy (Spoonflower)

This Spoonflower custom fabric obviously takes a lot of its imagery from the Albert Finney Orient Express film. The references to Christie and the novel are overwhelming, and include the title, Poirot, the train, the suspects, a view of Istanbul, the murder weapon, a newspaper clipping about the Armstrongs, the last words of the book, the clues, etc etc.

6.) “Poppy Lane” by Timeless Treasures

I love this particular retro advertising fabric in the “Poppy Lane” line, as it gives a nice, 1920s kind of setting to a Poirot project. I used it for this throw pillow. Some of the line drawings are rather art nouveau, and the fancy restaurant and car make you feel like you’re stepping right into Christie’s London. Some of the ads are in French, too. And I find that the black, white, and red go very well with many other fabrics I’ve found for these kinds of projects. These sorts of fabrics are really not easy to find.

7.) “Toile de Christie” fabric by artgarage (Spoonflower)

This Spoonflower fabric is fun because you can spy ALL of Christie’s famous sleuths– Poirot, Marple, Tommy and Tuppence. Yet it’s very subtle and doesn’t scream the fact to high heaven.

8.) “Gentleman’s Club” by Fabscraps

The “Gentleman’s Club” line (available in three colorways, if you can track it down) has a variety of vintage prints, but I like this one the best. It portrays an assortment of fancy waistcoats, with French script in the background.

9.) “Poirot” by erinejanosik (Spoonflower)

This Spoonflower fabric shows imagery that was most obviously taken from the television series. Shown are (Suchet’s) Poirot, the silver-topped swan cane, the vase brooch, a cigarette case, pince-nez, a tisane glass, and a quote from The Mysterious Affair at Styles.

10.) Assorted moustache fabrics by Riley Blake

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For #10, I’m breaking my rule about only showing fabrics with two or more Poirot characteristics to bring you my personal favorite of all-moustache fabrics. Riley Blake’s come in a vast array of variation, including black-on-white, multi-color, tiny white on red, and tiny pink on grey. Very fun, colorful, and versatile!

Black Coffee at the Royal Manitoba Theatre Centre

Last week, Alex and I took a spin up to Winnipeg’s Exchange District to see Black Coffee, Christie’s first play (and her only one with Poirot). The Royal MTC put on this play in contribution to the 17th annual Master Playwright Fest, which this year featured Agatha Christie (dubbed ChristieFest). Many Winnipeg theatre companies tried their hand at Christie plays, including The Mousetrap and The Hollow. Free events during ChristieFest included public viewings of the PBS documentary The Mystery of Agatha Christie (with David Suchet) and the films Death on the Nile and Murder on the Orient Express.

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Now, I was very excited, as this was my own first Christie play. I’d read both the script of Black Coffee as well as Charles Osborne’s novelization– but of course, plays really do need to be seen! The reviews had been a bit lackluster, but their critique was more directed toward a perceived dullness in Christie’s play itself, not the performance. Well, knowing what to anticipate, I could live with that.  🙂

The cast included Lorne Kennedy as Poirot, Arne MacPherson as Hastings, Ross McMillan as Sir Claud Amory (and Japp), and Claire Armstrong as Lucia Amory. Kennedy gave an especially good performance of Poirot– sometimes, I swear, channeling Suchet. And MacPherson was a likeable, if highly excitable, Hastings. 🙂  One particularly noticeable deviation from the original play is that the secretary Raynor was changed to a woman– “Edwina,” played by Miriam Smith. This was perhaps to balance the male/female ratio.

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The pince-nez and lapel vase are distinctively Suchet’s Poirot. But Lorne Kennedy wore them well.

The set and lighting were really beautiful. Having myself specialized in trompe l’oeil in university and having done some set painting, I was particularly interested in the forced perspective garden scene beyond the French windows. For some reason, I was also mesmerized by the reproduction of a painting of Samuel Johnson high on the wall. It seemed to lend a comfortable, fitting, 18th-century “Sir Joshua Reynolds” sort of air to the distinguished country house set.

Christie herself was not particularly fond of this play, and by all accounts it’s not among her best. It’s a typical cozy mystery with conventional stock characters– the noted scientist, the misunderstood girl, the blackmailer, the vamp, etc. Anyone who is familiar with the story The Mysterious Affair at Styles will notice some pretty obvious plot-borrowing. Christie also borrowed the occasional quote from her own stories. This line in Black Coffee can be found almost verbatim in the story “The Chocolate Box.”

POIROT: Madame, it is sometimes difficult to set a dog on the scent. But once he has found it, nothing on earth will make him leave it. Not if he is a good dog. And I, madame, I, Hercule Poirot, am a very good dog!

Charles Osborne’s adaptation included even more lifting of dialog from Christie stories, including “The Adventure of the ‘Western Star'” and several others. C’est curieux! Also curious is Hastings’ apparent eagerness to be vamped, considering that he’s already been out in Argentina which means he’s already married at the time this play is set. Oh, Hastings…

It was an enjoyable evening and the audience seemed to have fun with the performance. The program was cute, too, including not only Christie facts but suggestions on how to make great coffee!

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My only real regret was not being able to get to more of ChristieFest this February. We didn’t learn of most of the events until it was too late, and being the self-professed greatest Poirot fan in at least Manitoba  😉  this was an embarrassing oversight on my part. But well done, Royal MTC, on an enjoyable interpretation of Black Coffee.  🙂

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More ambigramming: Death in the Clouds

My apologies for being WAY behind on blog posting. I’ve been making new things and sharing elsewhere, but I’ve been remiss here. So I’ll start with one of a series of new ambigrams I’ve done lately: the Christie title, Death in the Clouds.

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I’ve been doing various book titles as mirror ambigrams lately– that is, there is a vertical axis and both halves of the image are identical. The benefit to this kind of ambigram is that you don’t have to physically turn the thing to get the full effect.  🙂  This particular image bears some similarity to the first Christie title I painted, The Hollow. Both painted mirror ambigrams take advantage of story-appropriate imagery, traced through the center letters, to aid in the overall ambigram design. I’m looking forward to trying more of these.  🙂

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Twelve of Christie’s best references to the STACHE.

Several of my personal favorites, anyway.  🙂  In no particular order…

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___________________

“If only, Hastings, you would part your hair in the middle instead of at the side! What a difference it would make to the symmetry of your appearance. And your moustache. If you must have a moustache, let it be a real moustache– a thing of beauty such as mine.”

Repressing a shudder at the thought, I took the note firmly from Poirot’s hand and left the room.

-Peril at End House

___________________

“Dear me,” I said, recovering from the shock. “I suppose next time I come home I shall find you wearing false moustaches– or are you doing so now?”

Poirot winced. His moustaches had always been his sensitive point. He was inordinately proud of them. My words touched him on the raw.

“No, no, indeed, mon ami. That day, I pray the good God, is still far off. The false moustache! Quel horreur!”

He tugged at them vigorously to assure me of their genuine character.

“Well, they are very luxuriant still,” I said.

“N’est ce pas? Never, in the whole of London, have I seen a pair of moustaches to equal mine.”

A good job too, I thought privately. But I would not for the world have hurt Poirot’s feelings by saying so.

-The A.B.C. Murders

___________________

“I assure you, I am really a very humble person.”

I laughed.

“You– humble!”

“It is so. Except– I confess it– that I am a little proud of my moustaches. Nowhere in London have I observed anything to compare with them.”

“You are quite safe,” I said dryly, “you won’t.”

-Lord Edgware Dies

___________________

[Mrs Oliver]: “Mrs Ap Jones Smythe, or whatever her name is, did make a codicil to her Will leaving all her money to the au pair girl and two witnesses saw her sign it, and signed it also in the presence of each other. Put that in your moustache and smoke it.”

-Hallowe’en Party

___________________

“Japp!” exclaimed Poirot, disengaging himself from the Countess’s arms.

“It would be better, perhaps, if I went into the other room,” said the Countess.

She slipped through the connecting door. Poirot started towards the door to the hall.

“Guv’nor,” wheezed Mr Higgs anxiously, “better look at yourself in the glass, ’adn’t you?”

Poirot did so and recoiled. Lipstick and mascara ornamented his face in a fantastic medley.

“If that’s Mr Japp from Scotland Yard, ’e’d think the worst– sure to,” said Mr Higgs.

He added, as the bell pealed again, and Poirot strove feverishly to remove crimson grease from the points of his moustache: “Wha do yer want me to do– ’ook it too?”

-The Labours of Hercules, “The Capture of Cerberus”

___________________

“Doubtless she has been informed of my identity,” said Poirot, trying to look modest and failing.

“I think it is the famous moustaches,” I said. “She is carried away by their beauty.”

Poirot caressed them surreptitiously.

“It is true that they are unique,” he admitted. “Oh, my friend, the ‘tooth-brush’ as you call it, that you wear– it is a horror– an atrocity– a wilful stunting of the bounties of nature. Abandon it, my friend, I pray you.”

-Lord Edgware Dies

___________________

“And then, figure to yourself, Hastings, an idea of the most unreasonable seized this Mr. Pearson! Nothing would suit him but that we should go ourselves to this eating house and make investigations. I argued and prayed but he would not listen. He talked of disguising himself– he even suggested that I– I should– I hesitate to say it– should shave off my moustache! Yes, rien que ça! I pointed out to him that that was an idea ridiculous and absurd. One destroys not a thing of beauty wantonly. Besides, shall not a Belgian gentleman with a moustache desire to see life and smoke opium just as readily as one without a moustache?”

-“The Lost Mine”
___________________

While the Lovely Young Thing made a suitable reply, Poirot allowed himself a good study of the hirsute adornment on Mr. Shaitana’s upper lip.

A fine moustache– a very fine moustache– the only moustache in London, perhaps, that could compete with that of M. Hercule Poirot.

“But it is not so luxuriant,” he murmured to himself. “No, decidedly it is inferior in every respect. Tout de meme, it catches the eye.”

-Cards on the Table

___________________

He looked at himself in the glass. Here, then, was a modern Hercules– very distinct from that unpleasant sketch of a naked figure with bulging muscles, brandishing a club. Instead, a small compact figure attired in correct urban wear with a moustache– such a moustache as Hercules never dreamed of cultivating– a moustache magnificent yet sophisticated.

-The Labours of Hercules

___________________

What was even more humiliating was that he had no real ideas, even now, as to what had actually happened. It was ignominious. And tomorrow he must return to London defeated. His ego was seriously deflated– even his moustaches drooped.

-Dead Man’s Folly

___________________

Poirot stroked his own magnificent mustache tenderly. “It is an art,” he murmured, “the growing of the moustache! I have sympathy for all who attempt it.”

It is always difficult with Poirot to know when he is serious and when he is merely amusing himself at one’s expense. I judged it safest to say no more.

-“Double Sin”

___________________

“Poirot,” I said, as he remained rapt in thought. “Hadn’t we better go on? Everyone is staring at us.”

“Eh? Well, perhaps you are right. Though it does not incommode me that people should stare. It does not interfere in the least with my train of thought.”

“People were beginning to laugh,” I murmured.

“That has no importance.”

I did not quite agree. I have a horror of doing anything conspicuous. The only thing that affects Poirot is the possibility of the damp or the heat affecting the set of his famous moustache.

-Lord Edgware Dies

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Boundless Books: The Mysterious Affair at Styles in stylish, artsy microprint!

While on vacation this past week, my husband and I stopped at a Chapters bookstore to browse. A funny-looking book with an attached “magnifying glass” caught our attention. The title is Boundless Books: Fifty Literary Classics Transformed into Works of Art. According to the description on the website (where, by the way, you can order it for $53 CAD)…

“In this book, a picture is indeed worth a thousand words. Within its covers are 50 literary classics, deconstructed and then put back together word by word to create singularly beautiful pieces of art. The silhouettes that emerge from the text illustrate the central characters, landscapes, and themes of each story. This collection ranges across the canon, from 620 BCE to 1937. Bibliophiles will find many of their favorite reads as well as lesser-known gems to discover or rediscover. Each piece of art contains an entire text in legible type, so that, with the help of the magnifying glass on a ribbon marker, readers can enjoy both the striking images and the timeless words themselves.”

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My husband and I love books (especially old books), art, and typography, so this really caught our eye. But there’s something else– one of the books in the collection is The Mysterious Affair at Styles!!!

I can’t reproduce an image, but the graphic for this Christie novel is a two-page spread in which the negative space depicts an overturned poison bottle and a number of images of chemical compounds. I took a peek at it through the magnifier, and sure enough, Mary Cavendish’s stricken face from Poirot’s denouement floated before my eyes.  🙂  Note: if you’re interested in taking a closer look at the text, I’d recommend a somewhat stronger magnifier of your own– the text is really VERY tiny! But how awesome to read Christie’s first novel through a magnifying glass!

This book is on our wish list now.  🙂

So The Big Four *is* a graphic novel. C’est curieux!

Not very long ago, I suggested that if the Agatha Christie estate would release The Big Four as a graphic novel, they could have all my money.

Well, it turns out that this book was in fact made into a graphic novel (as were other Christie stories). So, true to my word, I promptly disposed of the bulk of my earthly lucre, that is to say about ten dollars, and ordered it. I’ll probably receive it in a few weeks.

But I’m suspicious.

The cover– hardcover!– looks pretty promising. Nice “number 4” shadow, mysterious silhouette, and creepy dragon emblem.

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But the back cover– the back cover seriously alarmed me. The graphics were all right. The chess pieces, with the prominent bishop, are perfectly appropriate. But do you see what troubles me? Click on the photo so you can zoom and read the synopsis in the green bishop.

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Yeah, pretty much nothing in that synopsis is actually true.

***Spoilers for The Big Four ahead***

I’d hardly describe Captain Hastings as being particularly drawn to the quiet life– even at his times of greatest peace and quiet, he’s only too eager to be distracted by the action of an exciting criminal investigation, the more dangerous the better. And who exactly are these strangers who shuffle Poirot off on “round-the-world trips” to defeat criminal masterminds with exotic code names? He voluntarily makes a few brief jaunts  to France, Belgium, and Italy, and never takes his dreaded sea journey to South America. And Achille Poirot never announces to Hastings that Poirot is dead; Achille doesn’t “show up” until well after Hastings is assured that Poirot was alive. I wouldn’t call The Big Four one of Christie’s most “ambitious books”– although I’m very fond of it myself, it has plenty of uncharacteristic notes, jumbly confusion, and an overall negative reputation as her books go. I believe that Christie herself hated it. The only thing here I’d really agree with is that being a (sort of) international spy thriller, it is ideally suited to be turned into a graphic novel.

The synopsis makes one wonder: is this graphic novel just a sort of loose adaptation of the book? Or is it just a weirdly bad synopsis that we should ignore? When I get my hands on my copy, I’ll be sure to post a review here… stay tuned!  🙂

Too nerdy for Poirot…

I had to share this because it’s hilarious. I found these cufflinks on Etsy made out of bits of Marple and Poirot books– pretty awesome. But I recognized the Poirot book reference and thought I’d throw it out as a bit of trivia on Twitter. Someone unexpected chimed in on the conversation…

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The moral of the story is: post inane trivia on Twitter; get picked on by David Suchet.

Love that guy!!

A quote from Dead Man’s Folly

‘[Absorption in one’s personal life] is, you know,’ Poirot persisted, ‘a form of humility. And humility is valuable. There was a slogan that was written up in your underground railways here, I remember, during the war. “It all depends on you.” It was composed, I think, by some eminent divine– but in my opinion it was a dangerous and undesirable doctrine. For it is not true. Everything does not depend on, say, Mrs Blank of Little-Blank-in-the-Marsh. And if she is led to think it does, it will not be good for her character. While she thinks of the part she can play in world affairs, the baby pulls over the kettle.’

‘You are rather old-fashioned in your views, I think. Let’s hear what your slogan would be.’

‘I do not need to formulate one of my own. There is an older one in this country which contents me very well.’

‘What is that?’

‘ “Put your trust in God, and keep your powder dry.” ‘

-Dead Man’s Folly

Partners in Crime… and a new prize giveaway!

What Poirot blog would be complete without a nod to the other books by Agatha Christie that feature Hercule Poirot as a fictional character? I’ll start with what is probably my favorite non-Poirot Christie: the Tommy and Tuppence collection, Partners in Crime.

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Tommy and Tuppence stories are always a treat because, despite certain moments of implausibility when things sometimes get a little international-spy-crazy, the two main characters are simply SO well drawn and interact so wonderfully. The stories tend to be light-hearted and hilariously funny, and anything farfetched just adds to the fun. Partners in Crime has some aspects of unique brilliance: the two main characters are posing as a fake detective agency while solving genuine mysteries, and for inspiration, they choose to solve each case in the style and idiom of different fictional detectives. It’s really a great way for Christie to show off her talent and a treat for mystery-lovers to see her characters tackle the modi operandi of their favorite sleuths!

The major Poirot book reference is that of The Big Four, though Poirot fanatics may also notice nods to Roger Ackroyd and more. The little grey cells are mentioned fairly early in Partners in Crime, but the very last chapter of the book is reserved for a case solved in the style of Hercule Poirot. It’s called “The Man Who Was No. 16,” in reference to “The Man Who Was No. 4.”

*****

‘So it is,’ said Tuppence. She lowered her voice impressively. “This is our last case. When they have laid the superspy by the heels, the great detectives intend to retire and take to beekeeping or vegetable marrow growing. It’s always done.’

‘Well, sir, why not use your little grey cells, and see what you can do.’
‘It’s easier to use your little grey cells in fiction that it is in fact, my boy.’

‘He is the 4 squared– in other words, he is now the No. 16. You comprehend, my friend?’
‘Perfectly,’ said Tuppence. ‘You are the great Hercule Poirot.’
‘Exactly. No moustaches, but lots of grey cells.’
‘I’ve a feeling,’ said Tuppence, ‘that this particular adventure will be called the “Triumph of Hastings.”‘
‘Never,’ said Tommy. ‘It isn’t done. Once the idiot friend, always the idiot friend. There’s an etiquette in these matters. By the way, mon ami, can you not part your hair in the middle instead of one side? The present effect is unsymmetrical and deplorable.’

*****

Speaking of that last quote: if you like the book, you might also need the audio book. Read by Hugh Fraser, it’s almost worth it solely to hear the voice of Hastings himself call his own long-standing character “the idiot friend.” 🙂  There’s another reason to love this particular audio book– it features a bonus interview with Fraser in which he waxes eloquent about the challenges of recording about a million audio books (I forget exactly how many hours he’s recorded, but it’s insanely impressive), the technique of Agatha Christie, working on the show, and other fun stuff.

Now to the prize giveaway…

This one is a little bit girly, I suppose, but I can’t help occasionally making girly things. I dabble in crafting as well as the fine arts. In honor of Christie’s Partners in Crime, I offer you a pair of bracelets, embellished by yours truly… one to keep, and one to share with your favorite partner in crime. If bracelets aren’t your thing personally, the pair of them would make a great gift for any girl. They are 7.5″ and extend to 8.5″, and they feature two halves of a “partners in crime” heart, tiny key charms, and some of my favorite sea-glass-colored iridescent beads.

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I’ll ship these anywhere in the world. To win the pair of them, just share this blog post on Twitter or Facebook and send me your name. I’ll pull a name from a hat next Wednesday and announce the winner.  🙂  Bonne chance!