Being the very silly person that I am, I could not help but notice that certain moments in Hunter’s Lodge and Hercule Poirot’s Christmas presented an irresistible opportunity for silly holiday screenshots. Here’s three for you, featuring Poirot with a Christmas bow and he and Hastings sprouting antlers. You’re welcome. 😀
Poirot would totally kill me if he ever saw these.
Feedback, a.k.a. Hugh Fraser retweets it and makes a really silly pun:
I’ve got two little lots of miniatures left to cover. I’ll call this one “moments of truth.” What they share in common is a close-up of the title character in the process of making some startling discovery.
As I’ve mentioned before, I didn’t want my miniature Poirot books to simply be a series of straight mug shots. That would have gotten boring in a hurry. But now and then, I found episode stills that featured a clear close-up of the character in which he was still obviously interacting with, say, a clue of some sort. Of course, the great benefit of using close-ups for miniatures is that the portraits tend to be a good deal easier to paint than if, say, the portrait is a scant 1/4″ across. The shots I used for these three miniatures fall into that category; for Hercule Poirot’s Christmas, the image is of Poirot having discovered the dead man’s missing diamonds.
Sad Cypress is a wonderful book and lovely episode. The quote is a favorite one. The image chosen involves Poirot with the clue that turns the tide of the story: the thorn-less rose.
Speaking of “turning the tide” (and Shakespeare quotes, which Sad Cypress is as well), the cover of Taken at the Flood also shows Poirot having discovered a formidable piece of evidence. He’s so delighted by his deduction that he doesn’t even seem to care that one of his hands is dirty.
Only three more miniatures left to document… 😉